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18 Mar 2021 - 01:21 pm

I'm a humble chef, however, Let me try to correctly formulate my thoughts concerning the film, because it's so dear to my heart.

If men using a revolver gets over train while in the prologue of Sergio Leone's film, then he has to have something to say. The silent wanderer keeps a bitter story deep in her heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in his eyes you can view the craze which has accumulated within the years. He isn't who he seems. The wanderer's name is Douglas Mortimer, an old military man and already a bounty hunter. If viewers of the film listen to your words of a flabby old man chained into a bed (a funny grandpa appears closer to the center of the film), they should learn how the trains, these damned and noisy objects, are to blame for everything. Alas, but earthly hardships are certainly not limited to trains and Douglas Mortimer is knowledgeable of this, his problem contains bones, flesh and blood. The, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is in the middle on the plot of Sergio Leone's brainchild, because beyond the retired colonel, there is another hero in the film. Fast, accurate, discreet, another bounty hunter. A minimum of curious, but at the most wildly interesting, specifically when the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. It's not hard to reckon that the paths of Mortimer as well as the nameless shooter will cross on the planet from the wild west. The spaghetti is while in the pot.

In A Few Dollars More, phrases such as “in ten mins you'll be smoking in hell” or “you'll need a new sheriff” are inevitable. The hero of Clint Eastwood is shown as a shooter whose abilities can be relevant within a sci-fi novel, but everything is claimed are not attributed to your disadvantages of your narrative. Including the most absurd moments in the Western genre and beneath the skillful direction of Sergio Leone become salt for spaghetti, and situation of the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers within the screens, which are in all probability visited by such thoughts: ¬¬ “I'm wondering what may happen further? Will One-Armed and Colonel Mortimer find common ground? ” “A few bucks more” - shootings, chases, music of the clock, personifying the arrival of death, here satire, in conjunction with foolishness, lives alongside with drama and ironically interpreted religious motives. And, finally, situation shown by Sergio Leone could be the archetype of varied paintings, where partnerships flow into friendship, though into a kind of friendship, within this friendship a buddy can shoot someone inside neck in order that he's not killed by way of the thugs of the last boss. The hearth is burning below the pan. The spaghetti sets out to boil.

Sergio Leone's tape is actually a classic with the genre, and this is certainly clear and understandable by the sound of bullets fired with the heroes, bank robberies and also the long glances that two shooters exchange before the decisive shot, that shot that decides human destiny. The creators besides highlight their creation (and they certainly it well), but also touch on burning topics using episodes of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Also, it truly is in excess of interesting to view a variety of Clint Eastwood and Lee Van Cleef - the heroes of the existing and new generation of westerns who, in photographs of Manco (One-armed) and Colonel Mortimer, now and then prove something to one another, competing inside possession of a revolver and doing of sieve hats. Hmm, something's heating up in the kitchen space, phew, you're ready serve spaghetti about the table. Winnie, the wedding guests are waiting, hurry up, these are hungry and now taste Leone's signature spaghetti. It's difficult on an expressive chef to find a better helper these days. Spaghetti is served, but wait one minute, dear guests.

Undoubtedly, Sergio Leone as part of his “A Few Dollars More” demonstrates to everything about cinema the lion's share of his talent and professionalism, and the image itself can be viewed hypertrophied dominating before the first film of the trilogy, which attracted the eye from the expressive Akira Kurosawa. Years later, Leone's brainchild tries to please an array of people, and the film succeeds: those viewers who desire a dramatic story have it, people who love shooting and duels are satisfied, and connoisseurs of satirical humor is going to be satisfied after watching. Structure music, you can speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, that makes my head slightly confused, but when you watch a terrific film of my fellow countryman car should be done, you can be convinced on the correctness of my words. However, I will not hide my bias, I seriously love the stories around the shooters in the wild west, where there are 2 contrasting bounty hunters chasing the exact same victim, however, not exactly the same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!

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